A Lesson from Bubba

Bubba Watson signing autographs on the putting...

Bubba Watson (Photo credit: Wikipedia)

Rather than sitting at the piano for my usual Sunday night recording session, yesterday I chose to spend time with some Peeps, chocolate bunny ears, and and the exciting finish to the US Masters Golf tournament. By now you’ve probably heard of Bubba Watson, the new American golf sensation and wearer of the Green Jacket, but you might not know is that Bubba has never had a golf lesson.

This caught my eye because as I’ve written before, I’m constantly amazed by so many of the self-taught musicians I see, especially among college age kids. They are driven by a love of music, collaborating, and composing. I know I’ll sound like a heretic by saying this… but are teachers actually needed for weekly piano lessons if the student is truly self-motivated? Wouldn’t drop-in lessons be good enough?

Watson, 33, is unlike just about any Masters champion we’ve seen…..On the course, Watson has little in common with the recent crop of factory-produced golfers, the swing machines with their swing gurus, sports psychologists and mostly by-the-book games.

He is self-taught. Self-motivated. And not afraid of self. The guy has a pink driver, for goodness sakes.

The next golf lesson he takes will be his first. His game might be reckless, but at least it is his game. He goes down swinging. Or, on a day like this, when he bags his first major victory, he stands tall swinging away…

“I don’t play the game for fame,” he said. “I don’t play the sport for fame. I don’t try to win tournaments for fame. I’m just Bubba. I goof around. I play around.” (read more here)

Besides golf, Bubba has his hand in music too. You can see him in this video  featuring the PGA Tours first and only boy band, the Golf Boys. He’s the one in blue-jean overalls.

So today, as I sat down to record the last two sections of Schumann’s Papillons, I thought about Bubba. And even though I knew I hadn’t put in the time I should have on this piece, and I’d never “studied” it with anyone, I thought to myself, “Hey, I like this piece. It’s fun to play!”

And I threw caution to the wind and came up with this.

Choosing Risk over Perfectionism

Cover of "Art & Fear: Observations On the...

Cover via Amazon

Last week I received a marvelous book from an online friend. The book is Art & Fear by David Bayles and Ted Orland. It’s a quick read but it’s already full of highlighted sections and dogeared pages.  As I prepare my next installment of Schumann’s Papillons for recording on Sunday, I’m starting to wonder if I made a big mistake by jumping into this project so unprepared. I haven’t even looked at this piece in almost 20 years and I don’t even remember if I ever had it polished and memorized. But it’s a piece I love and one I want to keep in my repertoire.

I came across this nugget in my reading to get me over this hump and back to the piano bench this morning.

To demand perfection is to deny your ordinary (and universal) humanity, as though you would be better off without it. Yet this humanity is the ultimate source of your work; your perfectionism denies you the very thing you need to get your work done. Getting on with your work requires a recognition that perfection itself is (paradoxically) a flawed concept….Such imperfections (or mistakes, if you’re feeling particularly depressed about them today) are your guides – valuable, reliable, objective, non-judgmental guides – to matters you need to reconsider or develop further. It is precisely this interaction between the ideal and the real that locks your art into the real world, and gives meaning to both.

And as I finished the book this morning – this:

In the end it all comes down to this: you have a choice (or more accurately a rolling tangle of choices) between giving your work your best shot and risking that it will not make you happy, or not giving it your best shot – and thereby guaranteeing that it will not make you happy. It becomes a choice between certainty and uncertainty. And curiously, uncertainty is the comforting choice.

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